WHAT IS HUMAN ERROR?

Art is both instinctive and deliberate—a conversation between spontaneity and discipline. I work Through painting, printmaking, and drawing.

Subjects emerge through research, museum visits, and recurring motifs. My process is observing, experimenting, and translating works across mediums. Oil paintings and ink drawings become screens, shifting meaning as they are applied to fabric and garments. Fashion, typically driven by mass production and trend cycles, becomes a site for critique. The paradox of creating within an industry I reject is intentional—provoking questions about branding, authenticity, and artistic agency.

My work exists between influence and originality, tradition and subversion. Human error, often seen as a flaw, becomes a generative force. Art’s power lies not in perfection but in the friction between control and chaos.